Welcome to Kiff
We hope you and yours are safe. It is a strange time, calling for patience, solidarity and societal self-reflection. There is a good chance we can emerge from this, wiser and better positioned to create a more sustainable and fairer future. Let’s hope so.
In some ways a film festival may seem irrelevant, but in this new context, a film festival becomes even more important, a pointed way for people to get together, to watch films and celebrate human endeavour. Stories help us understand the world we live in. They help us evolve.
This website was launched during the Covid-19 crisis and, in order to be fully transparent and fair to all film makers, we are not opening submissions until the end of May.
The future is unknown but based on discussions with our key funders and partners and current government direction- we are planning away and hopeful of hosting our 2020 event with a bang.
All About Eibh
KIFF are delighted to be working with Eibh for the second year. Formally the manager of IndieCork and Irish Film London, Eibh, as well as being Head of Programming for Kerry International Film Festival, is the short film programmer for the Oscar-qualifying Galway Film Fleadh and the Deputy Director for Irish Screen America. And as if that’s not enough, Eibh is also a preselector for a collection of International festivals including Encounters Short Film Festival. You’d be hard-pushed to find a human alive that’s seen more short films than our Eibh. She has also curated and coordinated dozens of Irish Focuses for a selection of major international festivals and film markets. A passion of hers is supporting Irish film & filmmakers by connecting compatible audiences festivals and organisations.
BEST INTERNATIONAL SHORT – The Sound of a Wild Snail Eating by Elisabeth Bailey
BEST ANIMATION – Mind My Mind by Floor Adams
BEST IRISH NARRATIVE – A White Horse by Shaun O’ Connor
BEST KERRY SHORT – The Space Between Us by Elaine Kennedy
BEST STUDENT SHORT– Starry Night by Emma Smith (Special mention for Ciúnas, for its subtle and nuanced directing.)
BEST FEATURE – Kilimanjaro Mama by Malcolm Willis
BEST DOCUMENTARY – Heyday – The Mic Christopher Story by Alan Leonard
SCREENWRITING AWARD: Two Bed Terrace by Cathriona Slammon.